Celebrating a Legacy of Musical Excellence
The Bass School at UT Dallas celebrates a rich history of music that combines academic study, creative practice, and community engagement.
Key Dates in Music History
Music at the Bass School
16
Music Ensembles hosted by the Bass School at UT Dallas
Quick Guide
Undergraduate Music Study Areas
Music Theory and Composition
Explore the structure of music through studies in harmony, melody, and rhythm, gaining hands-on skills in ear training, sight-singing, and composition to understand how music is crafted.
Music History
Delve into an introduction to the elements and basic forms of music or the evolution of music from the Middle Ages to today, examining the cultural and historical contexts that shaped styles from Baroque to Modern.
Digital Music
Engage with the techniques of digital music production, from MIDI sequencing to advanced editing, to create everything from ambient soundscapes to dynamic film scores.
Vocal and Instrumental Studies
Develop vocal or instrumental skills through beginner to advanced courses, including ensemble opportunities, with a focus on performance techniques and music interpretation.
Music Study Across Undergraduate and Graduate Programs
BA in Visual and Performing Arts (VPA) – Music Concentration
Allows students to develop a strong musical background through private study of their instrument or voice, along with music theory and relevant history/literature and many opportunities to perform. The school also offers a music minor.
Graduate Studies in Music and the Humanities
Graduate students can pursue interdisciplinary research that includes music within both the Humanities MA and PhD programs and Visual and Performing Arts MA and PhD programs. Courses explore music’s connection to other art forms, cultural contexts, and historical developments, encouraging a deeper understanding of music’s role across disciplines.
Music Spaces
PHY building
Renovated, modernized space features large and small ensemble rooms, improved soundproofing and acoustics, expanded practice spaces, and dedicated instrument storage.
Jonsson Performance Hall
Home to selected performance and ensemble classes, this 196-seat hall features a concert ensemble stage for recitals, public performances and more.
University Theatre
This 275-seat, raked auditorium with a 40-foot-by-40-foot stage also has flexible walls to accommodate conventional-style theatrical performances as well as spatial arrangements for experimentation and performance of nontraditional pieces.
Edith O’Donnell Arts and Technology Building
Designed by STUDIOS Architecture – the same firm that designed Google Headquarters in Mountain View, Calif. – the 155,000-square foot facility is equipped with state-of-the-art spaces.
- The Sound Design Studio houses a baby grand piano, two sound booths, and leading-edge technology to record sound for video, music, and more.
- Anechoic Chamber and Transmedia Studio provides a controlled, soundproof environment for creative experimentation in multimedia, and rapid prototyping and iteration of ideas and projects.
Music Practitioners
Bass music faculty consists of a number of accomplished musicians and scholars, including: Robert Xavier Rodriguez, the Endowed Chair in Art and Aesthetic Studies and Professor of Music who is a widely-performed and accomplished composer; Jonathan Palant, the Associate Dean of the Arts and Director of Choral Activities who has conducted in Carnegie Hall; and the late Dr. Enric Madriguera, Russell Cleveland Professor in Guitar Studies and Director of Guitar Studies who was a master of the classical guitar and who built a robust guitar program that lives on after his passing in April 2024.
Music Events at the Bass School
10,000+
Total Attendees per Year (Estimated)
60
Music Events per Year
4
Major Categories of Concerts

Classical

Jazz

Guitar

Vocal
Where Attendees Are Going

Recent Musical Theatre Productions
World-Renowned Groups and Musicians at the Bass School
Recent performances have featured acclaimed artists and celebrated musicians.

Emmet Cohen Trio
Multifaceted American jazz pianist and composer Emmet Cohen played unique takes on jazz standards with his internationally acclaimed trio.

José Bowen Sextet
José Antonio Bowen’s new sextet featuring an all-star cast of DFWs finest musicians – Chris Milyo (sax), Peter Clagett (trumpet), Kim Corbet (trombone), Stockton Helbing (drums) and Derrick Horne (bass) – performed a suite of his latest jazz compositions and several jazz classics.

Victor Rosenbaum
Internationally known American pianist Victor Rosenbaum performed beloved solo piano works by Beethoven, Schubert, and Chopin, as well as a new work by Dallas-based pianist-composer Lewis Warren Jr.

Chanticleer
Grammy-award-winning vocal ensemble Chanticleer performed a repertoire that spanned classical, gospel, jazz, popular, and new works.

One O’Clock Band
The Grammy-award-nominated One O’Clock Band performed a repertoire that included both big band jazz and showcased new and upcoming women musicians.

Fred Hersch Jazz Trio
Fred Hersch has been proclaimed “the most arrestingly innovative pianist in jazz over the last decade” by Vanity Fair and “a living legend” by The New Yorker. A seventeen-time Grammy nominee, Hersch has garnered jazz’s most prestigious awards.

The Branford Marsalis Quartet
Branford Marsalis performed virtuosic improvisations and uncompromising interpretations of jazz classics as well as original music with his quartet.

Anirudh Varma Collective
The Anirudh Varma Collective is a contemporary Indian classical ensemble from New Delhi, India that performed a repertoire that showed the tradition and diversity of Indian music.

Terence Blanchard
Six-time Grammy winner Terence Blanchard and the E-Collective with the Turtle Island Quartet performed music off his most recent album as a tribute to Wayne Shorter.
Edith and Peter O’Donnell Jr. Athenaeum
The Edith and Peter O’Donnell Jr. Athenaeum is designed to enhance and enrich the arts on the UT Dallas campus by creating a 12-acre cultural district. It is supported by a $32 million gift from the O’Donnell Foundation.
Phase II of the Edith and Peter O’Donnell Jr. Athenaeum project involves the creation of a new music building for the Harry W. Bass Jr. School of Arts, Humanities, and Technology. This building will place music and performance at the heart of what will be the new cultural district at UT Dallas: the Edith and Peter O’Donnell Jr. Athenaeum.
The hallmark of the new O’Donnell Athenaeum building is a 680-seat music performance hall with a vineyard-style configuration to accommodate diverse live music, with seats on all sides of the stage to provide closer connections between the musicians and audience members.
The O’Donnell Athenaeum’s overarching vision is to interpret the classical athenaeum–a space where art, science, and ideas could meet in lively dialogue–into a new model for breaking down disciplinary boundaries, engaging the broader community, and elevating the arts at The University of Texas at Dallas.